Evaluation Guide
Part 1. Church Sanctuary Acoustics
We would like you to try these tests as best you can and report back in
via e-mail with your results. Let us know if you can think of other tests as well.
We are always looking at ways to make the HIS System standard universal. Your contribution would be much appreciated.
The following tests will help you understand the performance of the sanctuary
and the interaction relative to the acoustics of your church or hall. These
tests are only meant to show potential weakness which should be followed
up with a detailed test to find solutions. Most of these tests can be done
with a SPL meter such as the ones sold by Radio Shack or with free software
downloaded from the internet. Mark your score in the box. At the end of
this article, each test is explained. (You may want to print this file
direct to your printer. It's about 12 pages long.)
Name of Church ____________________________
-
- Age of Existing sound System ______ yrs.
- Age of the Existing Church ________yrs.
Part 1. Church Sanctuary Acoustics
* These tests should be done with a computer
- (1.) What is the NC (Noise Control level) of your church? (Best done with
a computer*)
-
-
- NC 20 = 10
- NC 25 = 10
- NC 30 = 9
- NC 35 = 8
- NC 40 = 2
- NC 45 = 1
- NC 50 or higher. = 0
- (2.) Reverberation Time average (requires a stop watch or Computer and
software*)
-
-
- 0 to .8 of a second = 4
- .9 to 1.3 seconds =7
- 1.31 to 1.9 seconds =10
- 1.91 to 2.4 seconds =6
- 2.41 to 2.8 seconds =2
- 2.9 seconds or longer =1
- (3.) Reverberation Time at 200 Hertz (requires Computer with proper software*)
-
-
- If Longer than average = 1
- If shorter than average = 10
- If ± by more than half of the average time =0
- (4.) Reverberation Time at 3000 hertz (requires Computer with proper software*)
-
-
- If Longer than average = 10
- If shorter than average = 1
- If ± by more than half of the average time =0
- (5.) Echo Test 1 Do this test with a friend - Stand at the center pulpit
or center to the chancel area and clap your hands once.
-
-
- If you hear an echo or reflection of the clap = 1
- If no echo is heard =10
- (6.) Echo Test 2 Do this test with a friend - Stand at the center of the
sanctuary seating area and clap your hands once.
-
-
- If you hear an echo or reflection of the clap = 1
- If no echo is heard =10
- (7.) Articulation score of the Sanctuary - Must be done with a computer*
or with the Bell Telephone speech oral test.
-
-
- 0 to -74%=1
- -75 to -82% =7
- -83 to -89%=8
- -90 to 100%=10
* Computer Systems accepted are TEF - MLSSA - Bruel & Kajr - Ariel
- Smaart
Each test is a window into the world of church sound. To the non church
community, the acceptance of poor sound is common. For the church community,
poor sound week after week is insulting, degrading and costly. Today, there
are many churches that have better sound than any local establishment within
a 20 mile radius. These are affordable systems that are well designed systems.
For this reason, there is no excuse for any church to not have a good sound
system It's not just a Spiritual reason for good sound, it also makes economic
stewartship. The following tests will let you know the strengths and weakness
of a church sound system and its acoustics.
The following in a partial explanation of each test.
-
- Question 1. - What is the NC of your church?
-
- The "NC" of a church is one of the most important scores. The
NC or Noise Control level of the church describes the background noise
in the sanctuary. Background noise has profound implications. Here is one
of the main problems with high levels of noise.
Typical conversation levels are between 55 and 65dB (decibels). We often
use 60dB as an average. To hear speech at a comfortable level and to be
able to understand the words being spoken, the level of speech usually
has to be 25dB above the noise. Since the quiet side of speech is about
55dB, a room with a noise floor less that NC30 is an excellent listening
space. The most common places that have such low NC ratings are bedrooms
and living rooms that are away from kitchen noises.
This is why many people turn off their TV sets or music during a conversation.
This is why it is so hard to hear on a telephone in a street phone booth
that has a lot of traffic. This is also why people leave the kitchen when
appliances are hard at work. In a church, especially larger churches, an
NC above NC35 is a serious problem.
The other thing that you must be aware is that NC is not a constant throughout
the Sanctuary. The hum of the florescent lights or ceiling fan above the
platform or alter can raise the NC in the front of the church to NC40 while
the rest of the church is NC30. When a poor sound system is in place, ministers
have to swallow the mic just to be heard and the NC doesn't matter since
sound quality of poor to begin with. When a high performance sound system
design is being used, the system will be able to amplify the noise from
the lights. That means the minister has to always be close to the microphone.
This also means the Lapel mics will be limited in performance and not work
very well.
In other words, a new sound system will be restricted in it's performance
before you even get started when the NC level is above NC35. As question
7, part 2 implies, if the sound system design is right, then having a working
distance of 18 inches to 3 feet is normal in rooms with NC35 or lower.
This make the system forgiving. It allows the minister to take a step back
from the mic without his voice disappearing from people in the back rows.
It means lay people, children and all events will be heard.
Finally, there is one combination item about the NC score that is constantly
overlooked and not tested. Echo's and late reflections. Read below, echo
test 1 for details.
- To test the NC of a church, you can use a SPL meter that can measure down
to 20dB. With such a meter, you can take to following readings.
- - - - - - -125 Hz - - - 250 Hz - - 500Hz - - 1000Hz - - 2000Hz - - 4000Hz
- NC-40 = 56dB - - - - 50dB - - - 45dB - - - 41dB - - - - 39dB - - - 38dB
- _____NC-35 = 52dB - - - - 45dB - - - 40dB - - - 36dB - - - - 34dB - - -
33dB
- NC-30 = 48dB - - - - 41dB - - - 35dB - - - 31dB - - - - 29dB - - - 28dB
-
-
- Question 2. -Reverberation Time average
-
-
- The average reverb time(1) in a church is one of the first clues as to
whether there are problems or not. The age old hand clap provides a wealth
of knowledge to the trained acoustical expert. However, you don't have
to be a expert to recognize the obvious and doing something about.
- In my book, "Why Are Church Sound Systems and Church Acoustics So
Confusing?", it has carefully broken down the reverberation requirements
into three type of church services. Traditional(2), Evangelical(3) and
Charismatic(4).
The Traditional or Liturgical style of worship can make good use of longer
reverberation times. However, any reverb time that is longer that 2.5 second
is not need and it is no longer musical unless it is well diffused. When
churches have more that a million cubic feet of air space, the rules of
reverb time are different and are covered in detail the book. If the reverb
time in your church is longer than 2.5 second, then you most likely have
a problem with both music and speech. Yes, this also degrades the performance
of a church organ too. A shorter reverb time is ideal.
The evangelical church has a middle of the road requirement that is the
hardest to achieve. Generally, they put a higher emphasis on speech and
amplified music while at the same time, they want their churches to have
a traditional sound for choral and congregational singing. As a result,
such churches require a prolonged reverb time that does not interfere too
much with speech or amplified music. Almost a neutral space. Generally,
a reverb time of 1.5 seconds is about perfect. A large(5) church can have
it as high as 1.7 while smaller churches(6) should be around 1.4 seconds.
The Charismatic church or the Pentecostal church is your electronic church. People don't like to hear such terms thinking that it takes something
away from Christianity. On the contrary, since their preaching is of a
fundamentalist type, they preach that all things come from God. It is who
or how an item is used that matters. The other element that they have in
their worship is drama and theater. With such a broad list of requirements,
a reverb time less that 1.35 seconds is idea.
-
- Reverberation Time at 200 Hertz
-
-
- Not all reverberation is equal. Long reverb times in the low/mid range
of speech is not good. From experience, the ideal reverb time at 200 Hertz
is when it is within 2/10ths of a second of the measured average time. For your style of worship. Longer
reverb times below 500 Hertz will have a profound affect on speech degeneration.
Also, longer RT60's below 500 hertz will also limit the ability to hear
bass sounds when you are near a wall or near the source of the bass sounds.
Although getting the bass player at least 15 feet away from his bass speaker
is idea, a room that stores excess bass energy is also creating the same
effect. Remember, the wave length of 200 hertz is 5.6 feet and 100 hertz
is 11.25 feet. If the bass player is standing closer to the speaker than
the length of the sound wave, in order to hear it, he has to wait for the
sound to bounce of a wall that is further than the wave length and perpendicular
to the source. This often means that the sound has traveled to the other
side of the room and come back. Also, if the bass player is back up against
a wall, he/she still will have problems hearing the bass sound. If your
bass player is playing to loud, don't blame him. Look at the room and check
out the bass response. If you have excess energy below 500 hertz, fix that
and you will have better control of your bass sounds.
-
-
- Reverberation Time at 3000 hertz
-
-
- High frequencies of sound gives a sound it character. It is the high frequencies
that gives a sound it's wholeness. It is also high frequency that give
music the expressions we love and enjoy. Although younger people get carried
away with bass and rhythm sounds, without high frequency sounds combined,
the sound is meaningless. The tick of the drum stick striking the skin
on the drum, the crash of the cymbals before the ring it makes, the twang
of the electric bass guitar are all distinct because of the combined high
and low frequency sounds. It also the high frequency sounds that gives
us our intelligibility clues.
- Without high frequency sounds in speech, no one would be able to understand
each other. This is more so for the English and German languages. Other
languages that are Latin based such as Italian, French, Spanish and Portuguese,
rely on a strong mid range of sound for distinction. Many European language
churches do well with shorter high frequency reverberation times. For English
speaking churches, a reverb time at 3000 hertz that is up to 3/10ths longer than at 1000 hertz or the "average" does well. However,
in a highly amplified service(7), a reverb time at 3000 hertz or 3k, is
better when it is equal to the average RT60.
-
- Echo Test 1
- Do this test with a friend - Stand at the center pulpit or center to the
chancel area and clap your hands once.
-
-
- An echo heard at the pulpit or center of altar/platform area affects the
performers, minister and sound system. It is bad enough for a person to
sing and hear an echo return when they are two words further along in their
music. When a sound system is being used as well, the echo will be louder.
For years people have be trying all kinds of sound system tricks to minimize
the problem. But lets face the facts, it's still a Band-Aid solution. This
is a problem for everyone. Just because you have carefully aimed the speaker
system to minimize an echo problem, a person singing in an operatic style
who does use a sound system will have problems. Also, if you listen carefully,
if the Organ and Piano is at the front of the church as well, they too
have a problem will keeping time to the music. Moving the Piano and Organ
usually costs more than fixing the problem. If you hear a echo, fix it.
- The best form of fixing an echo is with diffusion if the reverb time is
OK. If the reverb time is long, you can combine the acoustical repair to
correct for RT60 and echo. If the reverb time is long in the bass range,
that also can be corrected with the echo problem.
-
- Echo Test 2 Do this test with a friend - Stand at the center of the sanctuary
seating area and clap your hands once.
-
-
- If your church congregation likes to sing, then echo's in the seating area
need to be fixed. Of course, the issue of fixing the problem is much like
the age old "chicken and egg" question. Do we fix the room even
though the congregation already sings well? Do we fix the room to get the
congregation to sing better? Do we even have to discuss it? If a pipe leaks
water, do you fix it?
- The best form of fixing an echo is with diffusion if the reverb time is
OK. If the reverb time is long, you can combine the acoustical repair to
correct for RT60 and echo. If the reverb time is long in the bass range,
that also can be corrected with the echo problem.
-
- Articulation score of the Sanctuary
-
-
- Articulation is the understand of words spoken. A speech Intelligibility
test is when 20 or more volunteers sit in the pews in a scattered pattern
while a person they are not familiar with reads from a list of words on
a score sheet from the pulpit or main speaking position. The listener will
hear 50 words at 10 second intervals. Each person will have a matching
list. The list has 50 rows of words and there are 6 words per row. They
are to mark down the words they thought they heard. The first 20 rows are
word with common suffixes, the next 20 rows are words with common prefixes,
the last 10 rows are word that sound alike.
- Regardless of the size of church, this test is to be done without a PA
system and people sitting in the first 8 rows of seating. If your church
is very wide at the front or if your church is spread out in a fan type
seating pattern, then get some rope and have everyone sit within 90 degrees
of the speaking area or 45 degree from center. The person speaking can
raise their voice, but not so much as to be straining. This will make it
harder for the listener.
If the reverb time is longer than your style of worship requires, then
the score will be lower. If the NC of the room is high, the score will
be lower. If the RT60 and NC is good, if there are no echo problems, then
the score should be high. Any score below -88% is unacceptable.
Endnotes
-
-
- The average Reverb time or RT60, (RT60 is the time it takes a sound to
decay 60 decibels. Often a starters pistol is used to measure RT60) is
often calculated at 1000 Hertz. Modern computer systems can give you a
average time over the speech range, music range or whole hearing range.
Speech range average RT60 work the best for music in a church.
- The Traditional style of service refers to churches that have only acoustical
presentation of music. This includes choral and recital presentation. This
also means that music is always presented at a moderate to low levels,
rarely above 80dB. For these churches, music takes up less that a fifth
of the worship service or less that 4 songs of worship.
- The Evangelical style of service will have an active music program that
includes both amplified and acoustical presentations of music. This is
when music from "tape accompaniment", electronic instruments
and vocal support for congregational singing. These are the churches that
will have up to a 1/3rd of their worship time in music, song and praise.
- The Charismatic style of worship or Pentecostal type services are churches
that will have half of their service in music, song, praise and special
music events almost every service. Almost everything is amplified. These
churches will often present their music at or close to Rock and Roll Concert
levels.
- Larger churches seat over 1200 people.
- Smaller churches seat 300 people or less.
- A church that amplifies 90% of all of their music - specials, choral and
Piano/Organ accompaniment to congregational singing.
Back to THE LEARNING CENTER
Church Sound Network
722 Peel St, Delhi Ontario
PH. 416-248-9007
Our e-mail address is - jdb@jdbsound.com
Copyright (c) 1996-2020 JdB Sound, Acoustic Lab.
Last updated, January 29, 1996
April 2008